ADM Team Sascha Hoyer: Green Storm

In the post “ The Master School of Aquarium Design 2019: A Workshop With Six Experts " our outline showing all 6 aquariums has already given you the basics about this popular event. Now, by popular request from the myJBL community, we would like to go into more detail about each of the six masters’ aquariums. We asked each master the same set of questions and have summarised their answers in the post here, along with the relevant pictures. Use the comments function for your questions about the aquariums or for any further information you need.

JBL hosted this event together with the companies Tropica Aquarium Plants (provided the entire plant assortment) and Juwel Aquarium (provided the aquarium combination JUWEL RIO 125 LED white).

Let’s continue with the aquarium created by Team Sascha Hoyer with his apprentices Adrian Suslik and Tanja Pechhold.

About Master Sascha Hoyer

Since 2013, after a long period of abstinence, Sascha has reemerged as an active aquarium owner and aquascaper winning awards from various competitions. His reputation extends beyond the borders of Europe. As a specialist adviser for aquaristics in the pet shop sector and head of the Scapers Lounge, Sascha is not only experienced as a hobbyist, but also knows the business of the aquaristics industry very well and maintains close contacts to manufacturers and experts. Sascha is famous for his Wabi Kusas and the unusual layouts of his aquarium landscapes, with their great attention to detail.

What is the basic idea of the layout and what does it represent?

With this layout I wanted to display a Nature Style Aquarium featuring roots, which is both easy to implement and attractive.

Name of the layout

Looking at the layout, I have the picture in my mind’s eye of a fallen tree in a moor landscape, shining in the lush green after frequent rainfall. The tree uprooted by the storm stretches its roots into the air and lies softly in the green plant bed.

What material was used in the hardscape?

Driftwood was used as hardscape. We used the substrates JBL PROSCAPE VOLCANO POWDER , JBL PROSCAPE VOLCANO MINERAL as a foundation layer and covered it with JBL PROSCAPE PLANT SOIL BROWN . JBL PROSCAPE VOLCANO MINERAL is left visible at the transition to JBL Sansibar ORANGE to enhance the natural look.

Which plants were used?

  • Lilaeopsis mauritiana (potted)
  • Limnophila aromatica (bunch)
  • Mayaca fluviatilis (bunch)
  • Bolbitis heudelotii (potted)
  • Eleocharis montevidensis (potted)
  • Hemianthus callitrichoides 'Cuba' (potted)
  • Hemianthus micranthemoides (potted)
  • Hygrophila costata (potted)
  • Lilaeopsis brasiliensis (potted)
  • Limnophila hippuridoides (potted)
  • Lobelia cardinalis (potted)
  • Micranthemum umbrosum (potted)
  • Microsorum pteropus 'Trident' (potted)
  • Murdannia keisak (potted)
  • Pogostemon helferi (potted)
  • Rotala 'Green' (potted)
  • Rotala rotundifolia (potted)
  • Vesicularia ferriei 'Weeping' (portion)

What are the special features of the layout?

The aquarium had an inbuilt filter fixed inside. This has many advantages, but didn’t suit the intended look for our layout. YET, that wasn’t a problem as we considered how the filter could be integrated into the layout to make it less dominant without having its function impaired. That's why we chose a "flow" from right to left, determined by the driftwood.

Which other products were used?

Besides the substrates already mentioned JBL PROSCAPE VOLCANO POWDER , JBL PROSCAPE VOLCANO MINERAL , JBL PROSCAPE PLANT SOIL BROWN et JBL Sansibar ORANGE we used JBL PROHARU UNIVERSAL for gluing the roots. We stuck the plants with JBL PROHARU RAPID .

In order to position the filigree ground covers safely, we used plant pegs ÉPINGLES JBL PROSCAPE PLANTIS . In addition we used the CO2 system JBL PROFLORA u504 as well as further Outils from the ProScape range. Simple cigarette filters proved to be an ideal supplement, as they were a real help in connecting JBL PROHARU RAPID to the product to be stuck on.

What difficulties did you have with the creation?

The challenge was to consider everything beforehand and let the filter disappear into the layout. In addition, we had to make sure that the driftwood would not float up again after being flooded with water. So we glued the branches with JBL PROHARU UNIVERSAL and weighted them down sufficiently.

What maintenance do you recommend for this layout in the start phase and as a routine afterwards? What needs to be considered?

As with many wood aquascapes, it is advisable to carry out lots of water changes during the first 2-3 weeks. It’s best to change at least 30% every 2 days. This not only prevents algae, but also ensures that the colouring agents inside the fresh wood are washed out.

After 3 weeks, the fertiliser needs to be actively started. For this I use in the first two weeks JBL PROSCAPE Fe +MICROELEMENTS et JBL PROSCAPE NPK MACROELEMENTS (after starting the fertilisation) only with half the dose and then increase to 100 %. With JBL PROAQUATEST LAB PROSCAPE the values Fe, NO3, PO4 can be monitored so you can further optimise the fertilisation.

You need CO2 to run from the beginning to supply the plants with sufficient carbon.

Tell us some anecdotes about the event day with the apprentices - where did you see them making progress, how did you work together, and what was especially fun?

The biggest challenge for me was to create a layout with the students from which they’d learn as much as possible and to create the optics I had in mind on a high level in a short time. A mix of trying out, showing and explaining not only led to a lot of fun, but also to a very good end result. It was a really cool day, as I learnt a lot too. It reminded me not to assume everything is obvious, but that I can explain and show a lot through my ideas and this will certainly help me in my future working life.

© 08.08.2019

Pour en savoir plus sur le sujet

The Master School of Aquarium Design 2019: A Workshop With Six Experts

A dream came true for the select twelve who got to learn first-hand from experts how to set up and maintain a nature aquarium/aquascape. They were introduced to the art of design and are now ready to try it out for themselves at home.
Continuer la lecture

ADM (Aquarium Design Meisterschule) Team Garvin Borschewski: Eastwind

The basic idea for this year's ADM was for the apprentices to try out the (currently very popular) technique of gluing wood and stones with superglue and cigarette filters.
Continuer la lecture

ADM Team Florian Junghans: The sky’s the limit with this aquarium

With this aquarium I wanted to show that you are not limited in height and can work beyond the frame. "Lost forest" was the motto, because behind all the plants you can only guess what is happening.
Continuer la lecture

ADM Team Tobias Gawrisch „AquaOwner“: Rock Face

The original idea behind my layout was a massive rock face, completely filled and raised from behind with soil substrate, so that it covers the background completely. You can use small plants and even ground-covers at the top and back of the layout.
Continuer la lecture

ADM Team Bernd Terletzki: Wind through the Tabletop Mountains

A deep gorge cuts through the middle of the tabletop mountains in Venezuela. The wind propels the rushing water and the fish play in the water currents flowing through the tiny crevices.
Continuer la lecture

ADM Team Florian Neumann: The River in Massa Gorge

In the middle of the Massa Gorge, with a view of the Valais Alps, there is a river which leads through a marvellous landscape with steep slopes and trees. In summer there is a beautiful green area with a fabulous view.
Continuer la lecture
Matthias Wiesensee
Matthias Wiesensee
M.Sc. Wirtschaftsinformatik

Social Media, Online Marketing, Homepage, Kundenservice, Problemlöser, Fotografie, Blogger, Tauchen, Inlineskating, Aquaristik, Gartenteich, Reisen, Technik, Elektronische Musik

Ma personne: Seit Teenagerzeiten mit Aquarien in Kontakt. Klassische Fischaquarien, reine Pflanzenaquarien bis hin zum Aquascape. Aber auch ein Gartenteich und Riffaquarien begleiten mich privat im Hobby. Als Wirtschaftsinformatiker, M.Sc. bin ich als Online Marketing Manager bei JBL für die Bereiche Social Media, Webentwicklung und der Kommunikation mit dem Anwender der JBL Produkte zuständig und kenne die JBL Produkte im Detail.

Commentaires

Les cookies, une petite info, et on continue

Le site Internet de JBL utilise lui aussi plusieurs types de cookies afin de vous offrir une fonctionnalité complète et de nombreux services : des cookies techniques et fonctionnels, dont nous avons absolument besoin pour que tout fonctionne bien lorsque vous visitez ce site. Ensuite, des cookies à des fins de marketing. Ces cookies nous permettent de vous reconnaître lorsque vous revenez sur notre vaste site et de mesurer le succès de nos campagnes publicitaires. Grâce aux cookies de personnalisation, nous pourrons nous adresser directement et individuellement à vous en fonction de vos besoins, même en dehors de notre site Internet. Vous pouvez déterminer à tout moment, même ultérieurement, les cookies que vous autorisez ou non (pour plus d’informations, voir « Modifier les paramètres »).

Le site Internet de JBL utilise également plusieurs types de cookies afin de vous offrir une fonctionnalité complète et de nombreux services : des cookies techniques et fonctionnels, dont nous avons absolument besoin pour que tout fonctionne bien lors de votre visite de ce site. D'autre part, des cookies pour le marketing. Vous pouvez déterminer à tout moment, même ultérieurement, les cookies que vous autorisez ou non (pour plus d’informations, voir « Modifier les paramètres »).

Dans notre Déclaration sur la protection des données vous pouvez lire comment nous traitons les données à caractère personnel et à quelles fins nous utilisons le traitement de ces données. vous pouvez lire comment nous traitons les données à caractère personnel et à quelles fins nous utilisons le traitement de ces données. Merci de confirmer l’utilisation de tous les cookies en cliquant sur « Lu et approuvé » et c’est reparti !

Vous avez plus de 16 ans ? Alors confirmez l’utilisation de tous les cookies en cliquant sur « Lu et approuvé » et c’est reparti !

Sélectionnez vos paramètres de cookies

Cookies techniques et fonctionnels pour assurer que tout fonctionne bien lors de votre visite sur notre site web.
Cookies marketing afin de pouvoir vous reconnaître sur les pages de notre site et mesurer le succès de nos campagnes publicitaires.
J'accepte les Conditions d’utilisation de YouTube et confirme que j’ai lu et compris la déclaration de protection des données de YouTube .

Messages PUSH de JBL

C’est quoi, au juste, les messages PUSH ? Dans le cadre des normes W3C, les notifications web déterminent une API pour les notifications des utilisateurs finaux qui sont envoyées aux appareils de bureau et / ou mobiles des utilisateurs via le navigateur. Les notifications apparaissent sur les terminaux d’une manière identique à celle que connaît l’utilisateur final des applications installées sur son appareil terminal (p.ex. e-mails). Les notifications apparaissent sur les terminaux d’une manière identique à celle que connaît l’utilisateur final des applications installées sur son appareil (p.ex. e-mails).

Ces notifications permettent à un exploitant de site web de contacter ses utilisateurs tant que leur navigateur est ouvert - qu’ils soient justement sur le site en question ou non.

Pour pouvoir envoyer des notifications push web, il suffit d’un site web sur lequel est installé un code push web. Grâce à cela, même les marques qui n’ont pas d’applications peuvent profiter de nombreux avantages des notifications push (communications en temps réel, personnalisées et juste au bon moment).

Les notifications web font partie de la norme W3C et déterminent une API pour les notifications des utilisateurs finaux. Une notification permet d’informer l’utilisateur sur un événement en dehors du contexte d’un site web, par exemple sur un nouvel article de blog.

Ce service est mis gratuitement à disposition par la société JBL GmbH & Co. KG. Il peut être aussi facilement activé que désactivé.